This is a seemingly innocent topic to start with, but when you deal with fans and their personal preferences, it could become bloody. Some people have the misconception that BL (or Yaoi) originated in China.
BL was born in Japan and is a celebration of romantic love between boys who are handsome or ‘hot’. It’s interesting to note that Thai BL is dominated by male directors and filmmakers, with a predominantly female fan base. International fans from Europe and America is divided – there are both male and female fans and audiences.
Anyway, let’s start with some introduction…
BL stands for boys’ love. As a sub-genre of shoujo manga that originated and developed in 1970s’ Japan, Japanese BL manga and fiction were mainly about the love stories between beautiful boys. It is noticed that BL manga and fiction were produced by female authors and targeted for young female readers. These female fans of BL manga and fiction mocked themselves and labeled themselves as fujoshi, which literally means a rotten girl. This exclusive female authorship and readership became a noticeable feature of BL fandom wherever it spreads. [source]
BL targets a female audience, but it has become widespread to include gay (and straight) viewers.
In Thailand, there was an earlier team as far as 2009 in terms of BL. In the 30-episode drama entitled พรุ่งนี้ก็รักเธอ (Tomorrow, I’ll Still Love You), it was Kong & Phiwit (Fluke Pachara Thammon & Oh Anuchit Sapunpohng) who made a lot of headlines as gay lovers in this ensemble drama/lakorn produced by Channel 5. This is followed by Hormones 1 and 2 with Tou and March. Then there is Love Sick with White and Captain, August and Ngern.
Side Note: The term fan service becomes almost synonymous with Thai BL couples who appear together before, during and even after the TV series or movie. These series of events promotes not only their show but their product endorsements as well as their individual careers. Best samples are the cast of Love Sick, Hormones, SOTUS, and Love by Chance. [more about fanservice here]
So far, which series and films have made some high impact on the Asian BL universe?
In Taiwan, the BL series/movies have become a fierce competitor with the Thais. The HIStory series is a favorite among international BL fans. The video clip below is from HIStory: Crossing the Line, which – for me – is the best in the series.
Qiu Zi Xuan was an excellent volleyball player, but he had to give up on his dreams due to injuries. During training, he meets Xia Yu Hao, a guy with a really bad temper who gets easily infuriated with people, but he strives to acquire what he persistently wants to achieve. Zi Xuan thinks he’s the one who can reach his dream instead.
Excellent performances from the actors, yet it feels incomplete. The series could have been expanded to 8 episodes. How I wish they did that. There is so much to explore about the characters, and having 2 BL couples could have been reason enough for more.
In South Korea, Lee-Song Hee-il directed the gay trilogy which includes No Regret (2006), White Night (2012) and Night Flight (2014).
Born in South Korea in 1971, Lee-Song Hee-il studied filmmaking at the Independent Film Society. Between 1995 and 2000, he was a member of the independent film group ‘Youth Film’ during which time he made a number of short films which have screened at national and international film festivals. The director shows skillful directing by mirroring some of the most serious social issues of Korea through stories of individuals and he is one of the most eminent Korean directors of queer film.
His films are special (for lack of a better word). It features contemporary issues in Korea that deals with the gay minority – how they are treated by society, what sort of ‘stories’ they have to tell, how they look at the future and how they adjust their relationship with some extremely difficult external forces.
In Japan, aside from Yaoi anime, it was Ryosuke Hashiguchi, who spearheads the gay movie scene with such films as A Touch of Fever (1993), Like Grains of Sand (1995), Hush! (2001), and Three Stories of Love (2015).
A Touch of Fever can be viewed here.
Says Tom Mes at Midnight Eye of filmmaker Hashiguichi:
Despite having only three feature films to his name, director Ryosuke Hashiguchi is a pivotal figure in the development of contemporary Japanese cinema. The box office success of his low-budget 1993 debut A Touch of Fever (Hatachi no Binetsu) sent a shock through the industry and opened doors for independent filmmakers. He followed up on the promise of his debut with what is probably one of the best Japanese films of the 90s, Like Grains of Sand (Nagisa no Shindobaddo, 1995). After a six-year hiatus from directing, Hashiguchi returned with the striking Hush!, the story of a gay couple and the woman who wants one of them to father her child.
Though often portrayed as a kind of spokesman for the gay community in Japan, Hashiguchi’s films above all show the universally human emotions of their characters, gay or straight. The label ‘gay filmmaker’, aside from its discriminatory undertone, is far too restrictive a term for this highly talented man. [source]
The Love of Siam remains one of the most acclaimed Thai films, winning numerous ‘Best Picture’ awards.
Bangkok Post film critic Kong Rithdee called the film “groundbreaking”, in terms of being the first Thai film “to discuss teenagers’ sexuality with frankness”. He praised the mature, realistic family drama aspects of the film, as well as the solid performances, particularly by Sinjai Plengpanich as the mother Sunee.
A personal favorite of mine is Present Perfect. It has a rather unique story and an even amazing side story when it was posted on Youtube. You can read my interview with the director of the film and find out more!
The video above is actually the full movie, released by the filmmaker/producer himself! Enjoy watching it!
Lan Yu received positive reviews from critics, and won numerous awards in various movie festivals throughout Hong Kong and Taiwan, including Liu Ye’s win for Best Actor at Taiwan’s 38th Golden Horse Awards. It was also an official selection at many major film festivals, including the Sundance and the 2001 Cannes Film Festival. Lan Yu, a film by Hongkong director Stanley Kwan, is a celebrated gay film that was featured in such festivals as Cannes and Sundance. The movie is based on a novel published anonymously on the Internet in 1998. The filming itself took place in Beijing, without government permission.
I would say, the above would put us into a proper perspective as to what makes a good, quality drama series or film.
There is always something in common with these productions:
Engaging story – Whether a drama series or a film, it must have an engaging story where the audience can feel authenticity, will interest them and pique their curiosity. It can be real or fantasy, but there is still some semblance of ‘logic’ or reason.
A good example would be The Love of Siam where two young boys who grew up together, become separated and reunited as teens with different background, yet share some common interests. Also, the Japanese film Hush! where a gay couple struggles to adjust to the introduction of a woman who targets one of them as her ideal lover.
Lan Yu is especially poignant and features an unforgettable view of Beijing and the Chinese countryside, plus the two lead actors gave such dramatic performances!
I would also mention SOTUS (the whole project). There were moments when I was enraged, infuriated, tickled, and absolutely charmed by the way the lead characters interact with each other. The highs and lows, and the romance!
2018 saw Love by Chance storming its way to the hearts (and minds) of the BL audience. While the acting is so-so, there is so much to digest and enjoy about the couples here.
Also released last year is Present Perfect. The mix of the Japanese countryside, snow, and two attractive Thai young men make this film so incredible and amazing.
In Part 2, we’ll discuss more the qualities we want for a BL series or movie. Stay tuned!